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The complexity of Egoyan's construction enlightens, rather than confuses. How the pieces fit together is a sleight of cinema.

More often than not, when emotion is called for, Michael Konyves lays on the scripting far too thick.

As an old-fashioned disaster movie, with state-of-the-art effects and a script that floats, The Core definitely does the business.

The incomparable Denzel Washington gives another of his thoughtful, sensitive performances that carries a surplus of the dignity gene.

An involving mystery which, alongside its immediate concerns, asks questions about human nature and the inherent mystery of mortality.

Kids will find it long and slow, with only one truly scary moment, and dads won't believe a word of it.

The subtlety comes from Crystal's underplaying, although the rat-a-tat-tat ad-libs and improv one-liners slow the movie down.

This is a film about rejection. Everyone's contaminated in one way or another

Self-hatred and lies, stuck on the merry-go-round of never-ending temptations... give Flight its tension.

The most enjoyable kids’ film I have seen for quite a while.

They have dirt under their fingernails

Because of a multitude of sub-plots, the main one gets overlooked, until suddenly there's a car chase, or guns go off.

It's familiar stuff, but it's rarely been done with such polish and gusto.

There is not much difference between Chris Menges' new movie and any other drugs-related thriller.

A saccharine mess, bereft of wit, originality or purpose.

Along with her eye for composition, Reichardt also deserves praise for the focus on the smaller period details.

With an unchallenging plot, some interesting facts thrown in for history fans, and likable characters, this is an unpretentious, entertaining film which adults as well as kids can enjoy.

There's a quietness about it, a new maturity for Spielberg.

Just so you know, if you've seen Babe, or Animal Farm, there isn't any reason to see this. I'm surprised there haven't been infringement lawsuits threatened.

Deepa Mehta brings her Indian influence to what is otherwise a standard bit of middle-aged navel gazing.

The flaws belong to the formula itself, not the argument.

JJ Abrams rescues Rodenbury's creation from the pop culture scrap heap and produces a very likeable romp.

It takes a genius to make the Kennedys boring. That man is director Roger Donaldson.

A gem of a picture.